Native American Test Patterns on Television?
Bradley Sumpter, Wednsday December 3rd, 2008 www.NewsForNatives.com
Okay, I seriously have never understood the whole “native American head on 2 am test pattern thing. I know we have been using them forever, but when did we start using them and why? (1 1/2 minutes later) Well, I wonder no more. thanks to wikipedia, i now know more than anyone (except the readers and writers of wikipedia, a few obscure trivia experts and perhaps some people in the tv world) about the old Native American Test Pattern, also called the Indian Test Pattern and the Late Night Indian (okay, I made that last one up.)
Anyway, here is the scoop, right from the wiki’s mouth.
(purchase the original indian test pattern here)
PS. be glad your not from Britain,
HERE’S their creepy test pattern
(CPR HINT: Hold down CONTROL key while clicking links to open in new window)
As television broadcasting ritual
The Indian Head Test Pattern became familiar to the large post-war Baby Boom TV audiences in America from 1947 onwards; it would often follow the formal television station sign-off after the United States national anthem. The Indian Head was also used in Canada, following the Canadian national anthem sign-off in the evening. This test pattern was later used by Venezuelan TV channel Venevision, in conjunction with the RMA Resolution Chart 1941, in the mid and late 70s before the Venezuelan anthem (Gloria al bravo pueblo).
The Indian Head pattern could variously be seen: after sign-off but while the station was still transmitting; while transmitting prior to a typical 6 AM formal sign-on; or even during the daylight morning hours on newer low budget stations, which typically began their broadcast day with midday local programs around 10 or 11 AM.[1]
During the late 1950s the test pattern gradually began to be seen less frequently, after fewer sign-offs, on fewer stations, and for shorter periods in the morning, since new and improved TV broadcast equipment required less adjusting. In later years the test pattern was transmitted for as little as a minute after studio sign-off while the transmitter engineer logged required FCC-USA/Industry Canada transmitter readings, and then turned off the power.
Towards the end of the Indian Head TV era, there was no nightly test pattern on some stations, typically when automatic logging and remote transmitter controls allowed shutdown of power immediately after the formal sign-off. After an immediate transmitter power off, a USA or Canadian audience, in lieu of the Indian head Test Card and its sine wave tone, heard a loud audio hiss like FM radio inter-station noise and saw the video noise[2] colloquially called “snow,” indicating the absence of a broadcast signal on the channel.[3] With the scheduled end of USA high power analog broadcasting on February 17, 2009 (low power USA TV stations may continue analog broadcasting), “snow” may be the only thing visible when an old analog TV is turned on without a digital TV converter.[4]
When USA broadcasters transitioned to color television, the SMPTE color bars superseded the black-and-white test pattern image. In Sweden the Indian head was used in test transmissions from the Royal Institute of Technology from 1948 until November 1958 when it was replaced by the Sveriges Television test card.
As television system tool
The primary and critical Indian Head Test Pattern was not itself a card. Rather, it was generated directly as a monochrome video signal by means of a monoscope camera.
An RCA TK-1 Monoscope Camera is a 19-inch rack-mounted chassis, which contains electronic circuits needed to operate a glass cathode ray tube[1] housed inside of an anti-magnetic steel shield.[5] The cathode ray component is a TV-camera vacuum tube known as a monoscope, because it videographs only one still image, the test pattern. The tube has a perfectly proportioned copy of the test pattern master art inside, permanently deposited as a carbon image on an aluminum target plate.[6] This perfect copy allowed all of the studio and control room video picture monitors, and home television sets, to be identically adjusted for minimum distortions such as ovals instead of circles. When the monitor or TV set was correctly adjusted to show test pattern circles, the received picture’s aspect ratio was exactly three units high by four units wide. The 3 by 4 standard was chosen by the National Television System Committee (NTSC) for analog television, so that film movies would be compatible with TV broadcasting. 3 by 4 is the same aspect ratio used by 16mm and classic 35mm motion picture film frames.[7]
Only after the monitors were adjusted was an actual Indian Head Test Card used. A cardboard mounted lithograph of the test pattern was typically attached to a rolling vertical easel in each TV studio, to be videographed by each studio camera during test time. Then the cameras were adjusted to appear identical on picture monitors, by alternately switching between and comparing the monoscope image and the test card image. Such adjustments were made on a regular basis because television system electronics then used hot vacuum tubes, the operating characteristics of which drifted throughout each broadcast day.
Test patterns were also broadcast to the public daily to allow regular adjustments by home television set owners and TV shop repair technicians.[1] In this regard, various features in the pattern were included to facilitate focus and contrast settings, and the measurement of resolution. The circular “bulls-eyes” in the centre and the four corners permitted uniform deflection yoke and oscillator amplitude adjustments for centering, pincushioning, and image size.
The test pattern was usually accompanied by a 1,000 or 400 hertz sine wave test tone, which demonstrated that the TV aural receiver was working.[8] If the tone was pure-sounding rather than a buzz or rattle, then transmitted speech and music would not be distorted. 400 Hz is somewhat less annoying for technicians to hear for extended work periods.[9]
As cultural icon
An actual Indian Head Test Card was only of secondary importance to television system adjustment, but many of them were saved as souvenirs, works of found art, and inadvertent mandalas. By contrast, nearly all of the hard-to-open, steel-shielded, vacuum glass monoscope tubes were junked with their hidden Indian Head Test Pattern target plates still inside. The monoscope target plates were also small, a few inches in size, while the showy camera test cards were sized on the order of 1-½ feet by 2 feet, making them natural keepers for picture-framed wall display.
The original art work was completed for RCA by an artist named Brooks on August 23, 1938. The master art was improbably discovered in a dumpster by a wrecking crew worker as the old RCA factory in Harrison, NJ was being demolished in 1970. The worker kept the art for over 30 years, and then used the Internet to locate and sell it to a test pattern collector.[10]
As of 2008, most television stations in the United States no longer sign off overnight, instead running infomercials, networked overnight news shows, syndicated TV re-runs, or old movies, but the Indian Head Test Card persists as a symbol of early television. It was even sold as a night-light (from 1997 to 2005 by the Archie McPhee company),[11] reminiscent of the times when a fairly common late-night experience was to fall asleep while watching the late movie, only to awaken to the characteristic sine wave tone accompanying the Indian Head Test Pattern on a black-and-white TV screen.
Television appearances
Film appearances
- The test pattern flashes onscreen briefly as part of a burst of TV interference at the very beginning of John Carpenter’s directorial debut, the 1974 sci-fi comedy Dark Star.
- The test pattern features prominently on the original U.S. poster and DVD packaging art of 1989 cult comedy UHF as the lenses of “Weird Al” Yankovic’s glasses.
- In the 1996 film Beavis and Butthead Do America the test card briefly appears on a motel TV in Muddy’s room.
- In the 1998 film Pleasantville a modified version of the test card appears on the television screen behind the Don Knotts character. The Indian head changes its facial expression over the course of the film.
- In the 2002 film Signs, the test card anachronistically appears on a set during the invasion.
- In the 2005 film The Amityville Horror, the test card briefly (and anachronistically) appears on the television in the basement during the opening sequence.
- In the 2007 film Zodiac the test card is (accurately) shown on a monitor in the television station’s control room.
- In the 2008 animated film Justice League: The New Frontier the Martian Manhunter learns about American pop culture by watching television; he morphs into several characters, ending with the Indian as the station announces that it’s going off air. This is in keeping with the era in which most of the film is set: the 1950s. The card itself appears later in the story as a Please Stand By notice after The Flash briefly commandeers a television station.
Other appearances
- On Cheech and Chong’s Big Bambu album, at the beginning of a long sketch spoofing TV shows, Cheech drops by Chong’s pad and asks what he’s watching. Chong replies, “I don’t know, it’s a movie about Indians, but it’s really boring.” Cheech says, “Hey man, that’s not a movie, man. That’s a test pattern, man!” Chong answers, “Far out.” A 1 kilohertz test tone is audible in the background. {{{1 Khz or 400 Hz?}}}
- A parody of this test card appears in the computer game Streets of SimCity for 5 seconds before going to the main menu.
- The test card makes an appearance as a loading screen in the game Fallout, and a reappearance in Fallout 3.
- A tiny reproduction of the Indian test card is also found on the main control panel of the AVD Video Processor program.
- The Newtek Video Toaster video switcher product used a slightly stylized and colorized version of the Indian head test card in the product logo, promotional literature, and as a usable video ‘effect’ (provided as a still frame picture) that could be inserted into produced video. This may account for some appearances on US, UK, Canadian, German, and many other countries’ TV programs during the 1990s, as the Video Toaster product was popular with TV stations and video production studios alike due to its low cost.
- The test card is featured prominently in the cover art of the Michael Penn album Mr. Hollywood Jr., 1947.
- The test card is seen when you grab a tv-antenna in the videogame Condemned 2 - Bloodshot.
Shakopee concedes tribal expansion fight. . . for now
Shakopee is backing down from a legal fight over the expansion of the nearby Shakopee Mdewakanton Sioux Community.
By DAVID PETERSON, Star Tribune
Last update: December 3, 2008 - 3:55 PM
The city of Shakopee is backing away from its fight to stop the 
Shakopee Mdewakanton Sioux Community from widening the borders of its reservation by several hundred acres, a move it described a year ago as a threat to its future as a rapidly growing suburb.
But it says it has achieved a concession: The federal government has pledged, from now on, to bring the city in as an active player any time the casino-enriched tribe tries to make a similar move.
“And that will happen again,” 
Mayor John Schmitt said. “We’re certain of it.”
The dispute is over the tribe’s desire to place more than 700 acres it has acquired, most of it in Shakopee, into what is known as trust status. That makes it, effectively, part of a sovereign nation, removing it from the tax rolls and from zoning control by surrounding jurisdictions.
It was at best a somber city council that dropped its dukes-up posture on Tuesday night and approved a tentative deal with the U.S. 
Bureau of Indian Affairs (BIA), avoiding an expensive full-scale legal challenge at a time when the city faces a budget crunch severe enough to force it to cut staff positions.
“We were forced to go this alone, financially, since our ‘good neighbors,’ Prior Lake and Scott County, decided to leave us hanging in the lurch,” said Council Member Steve Clay. “They decided not to participate with us in this endeavor, and it’s expensive. My impression is, this is probably the best result we can expect, given the time and expense we are willing to put into it.”
Prior Lake has been forging a cooperative relationship with the tribe for some time now. The Scott County board only narrowly, on a 3-2 vote, made the same call a year ago.
Both county board members representing the tribe’s closest neighbors had wanted to fight on. And some interpreted the results of this fall’s elections for county board as an expression of continued public unhappiness. The two candidates who took the most skeptical positions on the tribe were elected, and a candidate with family connections to the tribe was defeated.
Tribal officials were preparing a formal written response on Wednesday but had no immediate comment.
The tentative, seven-page agreement has a number of key elements that will make any future dispute of this kind more fair when it comes to the impact upon the city, Schmitt said Wednesday.
“Basically, the BIA is now responsible for bringing [the tribe] to the table, giving us early notice, making us legally a party in anything that’s being done, and lets us talk about ‘cumulative effects’” on the city and not just its concerns over lost tax revenue, he said.
Specifically, he said:
• The BIA must alert the city within days of any future trust application — a big change from what the city suspects has happened before, namely a lengthy period of behind-the-scenes activity before anything was unveiled. “We get the earliest possible notice, to facilitate our planning efforts,” so that nearby officials do not for instance wind up building a school in a part of town that will never have many students.
• The BIA must ask the tribe to sit down with the city and talk things out. It doesn’t have to, “but if they fail to participate, it becomes a matter of record that they are not willing to negotiate.”
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